Just another lovely dress: Burda 8/2015 #123

If you follow me on instagram (@kristysewsalot) you'll know that this year I am trying to sew up all the fabrics that I bought in 2019 that are still sitting in my stash. I'm also trying to finish up at 16 of my UFOs for good measure. This mini challenge follows the success of last year's efforts to sew all the fabrics I bought last year - fingers crossed I can do this too!

I'm off to a fairly decent start - of the 23 fabrics I need to sew this year and the 16 UFOs I want to finish I've already sewn 4 pieces and 4 UFOs (just my blogging hasn't kept up). My latest project is fabric no.4 from that pile - a fairly thick cotton duck like fabric in a gorgeous green with a flower print. I bought this from an online fabric store called Daily Like which has since sadly closed down.

My trusty back catalogue of Burda has come through with the perfect pattern - 8/2015 #123 which is a fairly simple dress:

Because my fabric is quite thick and without much drape, my version has turned out far more a-line than the beautiful white version modelled in the pattern photo. The pattern does recommend using wool or wool blend fabrics, which would make the skirt fall more closely to the body than my version.

Despite this, I still really like this. The high waist hits me at my slimmest point, and the pleated skirt means I can have a big lunch and not feel restricted like a normal sheath dress! This was also really easy to fit because I didn't have to grade from a size 34 at the bust to a 38 at the waist to a 42 at the hips - I just cut the skirt in the bigger size and made those waist pleats a little deeper to match the waist size.

The skirt at the back is just plain so it sits flat against the body. Thanks to the width of the skirt at the hemline there was no need for a walking vent, so it was really quick and easy to hem this dress.

Unfortunately I didn't have enough fabric to make those elbow length sleeves with the contrasting bands, which is a pity because I do love that lengthy of sleeve and the sleeve bands to match the neck band would have looked nice. But since this is made from a cotton fabric the cap sleeves work well to make it a summer dress instead. 

The neckband is essential a facing that is sewn to the inside and flipped out instead of the normal way of sewing it to the outside and flipping it in. This is cut from some scrap black cotton sateen and topstitched down.  

Overall I really like this pattern, and I would like to make it again in a wool crepe with elbow length sleeves for a winter dress. I didn't line this dress because I wanted it to be a summer dress and the thick cotton fabric isn't clingy at all, but a wool (or similarly drapey fabric) would require a lining.

I can highly recommend this pattern if you're looking for something quick, simple but just plain lovely. Luckily you can still download this pattern from the Burda Style website if you don't have a hoard of Burda magazines from the last decade or so like I do!

White shirt: Burda 10/2008 #113

 

A white shirt may never go out of style, but it can certainly get grubby and stained beyond repair which is why I make a new one at least once a year. I wear a lot of sunscreen, and that tends to turn the cuffs and collars quite brown that even bleach can't remove. Usually I make a simple fitted button up shirt, but this time I decided to try something a little bit different with some cool details. This pattern is from Burda in 2008 when they were still Burda World of Fashion. I've made this shirt once before for my mum, and have been meaning to make myself one for at least the last decade.

This shirt pattern not only ticks all my boxes - three quarter sleeves with a button tab, raglan sleeves, vertical darts for fitting - but it also offers a little bit more with a looped tab down the front covering the button placket. It certainly adds quite a lot of interest to an otherwise simple shirt. The pattern is 10/2008 #113 which I can't see is available for download, but if you ever see this issue for sale I can highly recommend it, there are quite a few good patterns in it.

That looped strip was really quite simple to make - it's essentially just horizontal lines sewn to the shirt halfway between each buttonhole, and then press the fabric downwards towards the hem.

I did mess up the sewing order though - the strip should have been added before the collar, so that the top end of the extra strip would be enclosed within the shirt stand. I added mine after I had sewn the collar on, so I've done a dodgy fix of just topstitching it close to the collar stand seam line - it's clearly visible in the photo below but I doubt anyone else will get close enough to notice.

The fabric I've used is a thick textured white cotton that is probably a bit too stiff for a shirt, but it helps give the looped front and sleeves a bit of structure. It means the back puffs out a bit, which I could fix by making the vertical darts a bit deeper, but I think I'll leave it because it's not too bad.

I also find the way the raglan sleeves meet together as a point on the shoulder very satisfying - it's those little details that people who don't sew will never see but it makes me happy.

I found the sizing of this shirt to be quite generous - I made my usual size 34 at the shoulders and grading out to a size 40 at the hips. There is a lot of excess fabric around the arms - the armscye sits quite low and the sleeves are very wide. I think in a softer fabric with more drape this would be fine but it does feel a bit bunchy in this thicker fabric.

I think this is a fantastic pattern, and I can't believe I waited so many years before I made it! I think the loop strip could be added to almost any shirt pattern, and ribbon could be used instead of the shirt fabric so possibly another one of these style shirts is in my near(ish) future.

Shoulders that will poke your eyes out: New Look 6013

One of the great things about sewing is that you're not limited to what's available in the shops - you can make what you want. One of the less great things is not finding out until after you've put in some time and effort that what you're making really isn't you!

I do like my work jackets to have a bit of interest about them - either a bright colour other than navy or black, or an interesting cut like a shawl collar rather than a standard notched collar. Which has led to my recently finished jacket - a shawl collar, a minty textured wool and formerly some crazy shoulders:

I say formerly because I ended up pulling off the crazy sleeves and re-sewed on some normal fitting sleeves which is what you seen in the photo. This is New Look 6013, a pattern that is now OOP. I made the dress once before in 2018 from a polka dot linen which I still wear thanks to it being not too fitted. 

 

The sleeve heads have an inverted pleat at the shoulder head which looks good on the model and on my dress form but just looked ridiculous on me. They shoulder head sticks out quite high above my natural shoulder level and to top it off the sleeves were quite wide and baggy too:

Instead I used a standard sleeve off another New Look pattern to cut out some normal sleeves to sew on. You can see the difference in shape in the photo below.

Even though the sleeve head of the new sleeve eased nicely into the shoulder seam, I can see there are terrible drag marks on the sleeves indicating that I need to reshape the shoulder slightly. Well I won't fix this, but it's good to know for the future.

For the back view instead of cutting on the fold I added a centre back seam so I could shape the seam better to suit my curves. This together with the princess seams means I got quite a nice fit in the back:

I made faux welt pockets because the jacket is so cropped it's unlikely I'll ever put my hands in them and the pocket bags would be so shallow anyway. The welts add a bit of interest to the front and even though I was worried they sit too close to the hemline I think overall they still looked balanced.

The final change I made to the pattern was to insert a lining. The pattern is meant to be an unlined jacket, but with several layers of interfacing in key places like the shoulder area, princess seams that need to be clipped to be pressed open and the messiness of welt pockets I think a lining is really necessary to cover up all that internal structure. Plus being a wool jacket it will wear better with a slippery lining.

This fabric was a total bargain - bought from the Sewing Basket charity fabric store earlier this year for a few dollars. When I spied this fabric in it's beautiful minty loveliness, I was reminded of one of my favourite costumes from the movie The Dressmaker:

All I need now is some cream wide leg pants and an awesome hat and I'll be set for a glamorous return to the office when it reopens! After all these months of casual wear whilst working from home I'm actually quite eager for a bit of dressing up on the few days a week that I'll be in the office.

So my final thoughts: if you like a bit of drama then I can highly recommend this pattern to you! The shawl collar is easy to construct, the princess seams make it easy to fit and overall it's quite a nice little jacket. If like me you prefer your clothes to be a bit more subdued, the sleeve is easily interchanged and you can still have a great jacket without the wow factor.

 

Brain busting dress: McCalls 7429

I don't often sew with knits but other sewists rave about how quick and simple they are for projects. So I thought I would whip out a quick long sleeved dress whilst it is still cool here in Sydney, not that I have any where to wear it or any compelling reason for making a new dress other than for the fun of it!

However, the joke was on me because this dress was not quick, simple or fun to make. At all. I like to think I'm pretty experienced and skilled - I sew Burda regularly and manage with their befuddling instructions after all! But this pattern - McCalls 7429 - took all the brain power I could muster to get it finished. It's a fairly plain straight dress with a twist in the front:

The pictures in the instructions and the text telling me to "pleat in fullness on lower portion of the front to fit between large circles on upper left front" just did not click for me.

Thankfully Brittany Jones  has done two blog posts and a video on how to construct this dress which was really helpful, but it still took me several attempts to figure out how to gather the fabric in the middle and sew the right seams together. In fact I had to unpick the seams a few times before I finally got it right - is there anything more tedious than unpicking a lightning stitch in a knit fabric? Happily once the front bit of the dress is sorted everything else is pretty easy to finish.

It's also not very often that I don't recommend a pattern, but this is one of those times. Other people seem to like this pattern, but there are a few things that annoy me.

Firstly, the wrap part of the lower front dress is not very wide and tends to flap open when I walk. Luckily the under layer extends almost the whole width of the skirt so you aren't flashing too much leg, but it is annoying having it flap around. Also, my fabric is white on the wrong side so it's pretty obvious when it flips to the outside: 

I also don't like how the gathers from the centre waist seam tend to bunch up between my breasts and form a pleat in the front. Maybe that's caused by my rather flat chest and the fabric not needing to be stretched open across the bust, but I feel that the gathers in the front just sit weirdly. 

The gathers and twist at the front of the dress create a bit of bulk over my stomach, which is one area I don't need to add any bulk to right at the moment. The fabric I've used was advertised online as a ponte, but it's rather thin and more like a double knit. I think a thicker fabric like a firm ponte would be even worse, and it's probably best to stick with thinner fabrics for this pattern.

Finally (as if all that above wasn't enough moaning!) I find this dress to be really short. I'm only average in height, and I was surprised when the raw length of this dress without the hem turned up barely reached my knees. The pattern envelope (I know, I know - you should always be sceptical about those!) shows the model's dress hitting her knees so I expected the dress to be a little longer on me. 

So all in all, this is not one of my favourite patterns and I probably won't make it again. I'm sure Burda have done a similar style, and while their instructions are probably just as likely to be as confusing I'd rather take a chance with their drafting than use this pattern again if I feel like I need another twist front dress in my wardrobe!

Green + Blue

I thought that being at home practically all the time now would mean I would have lots more time for sewing and blogging but it turns out that I don't! I am super busy with work at the moment, and most days I barely brush my hair (messy bun for the win) and only slap on tinted sunscreen so it's even harder to take photos than before.

Case in point is this green blazer I finished sewing two weeks ago - I only just found the energy to put on some make-up and real shoes to take these photos today!

I bought this beautiful vibrant kelly green wool boucle from Super Cheap Fabrics online and it turned out to be exactly the colour I hoped. I was inspired by this outfit worn by Peggy in episode 11 of the final season of Mad Men:

I used an old Burda pattern - 4/2014 #103 which isn't available on the Burda Style website but you can download from the Russian Burda website here (I often buy my patterns from the Russian website because they are far cheaper).

This pattern caught my eye because it has the notched lapel and trim like the inspiration photo, but I also really like the curved front hem and the princess seams that extend into the shoulder which make it easier to adjust the fit. I left off those patch pockets and also removed the vents at the back because I found that they stuck out awkwardly and they weren't needed for a close fit.

I did my usual fit adjustment of a 1.5cm forward shoulder adjustment and slightly narrowed the shoulder too. This fabric has enough loft and with interfacing in the shoulder area it didn't need a shoulder pad but still managed a neat fit through the shoulders.

I hand stitched the navy grosgrain ribbon on which was really tough on my fingers but I thought I'd have more control doing it that way. I tried to make the corners as neat as possible but they aren't 45 degree angles so it took a little fudging to make it work. It looks a bit messy in this photo below but we all know that people don't stand close enough to see this level of detail, especially now that we're all social distancing.

The buttons were also really difficult to resolve. I just couldn't find any that matched the colour of the grosgrain ribbon in my local stores, so I ended up making fabric covered buttons for the two front ones, and some smaller navy blue buttons that were already in my stash for the sleeve buttons.

I absolutely love this jacket and colour and I almost can't wait to be back in the office so I can wear it for real.

For these photos I've paired the jacket with a navy blue dress. Navy blue just seems natural to wear with this colour jacket especially since I used navy blue trim and buttons!

I made this dress maybe two years ago but haven't blogged it. It's made from a 1970s vintage Style pattern:

The fit is quite good but the fabric choice wasn't the best. The fabric is a thick herringbone cotton that doesn't drape so it has quite a pronounced a-line shape to the skirt and it is a magnet for every bit of fluff, lint or strand of hair in near proximity.

I don't actually wear this dress too often and have been considering refashioning it into a skirt instead because the fabric is really quite nice (except for the fluff factor). And I think this pattern made in a more drapey fabric like crepe would work a lot better too. I'll add it to my really long list!

Sweet + simple: Burda 11/2019 #105

As the world is slowly emerging from Covid-19 social isolation bubbles, I am still working full time from home and will be for the foreseeable future. My employer, the NSW Government has decided that all back office public servants will keep working remotely to reduce the pressure on the public transport systems. Which suits me, because I quite like working from home especially now that my kids are back at school and my husband is back at his office!

I did re-evaluate my sewing plans because I don't need to be making corporate clothes since these days it's all casual. However I realise that what I like sewing the most is tailored and structured garments, so I'm going to keep on making them even if I won't be wearing them for a while yet.

I recently made three simple long sleeve blouses that will be perfect for layering under a blazer when I'm back in the office, but also work well for video conferencing even I'm wearing them with sweat pants. First version is from a very soft cotton voile with white polka dots:

Then I made a much brighter version in a glorious emerald green linen floral:

And finally a version from a jumbo sized navy gingham which I cut on the bias for a bit of a difference:

The pattern is Burda 11/2019 #105 which is a really simple top with three pattern pieces - the front and back on the fold and the sleeves:

For each of my tops, I shifted the neckline opening to the back and drafted a facing instead of self fabric binding for the neckline. I find making and sewing binding for necklines really fiddly and I prefer the cleaner look of a facing.

I really like the elastic cuffs to the sleeves - it brings in the volume of the sleeve nicely at the wrist which means it doesn't flap around and makes it possible to get the sleeve into a jacket when needed.

For the navy gingham version, cutting it on the bias made it slightly more difficult because I tried my best to pattern match. For some reason, I managed to get a good match on one side but not the other! I don't know how that happened, but as we all know hardly anyone else ever notices these things so I'm not too worried.

It's not often that I make the same pattern multiples time in a row, but this pattern seriously takes about 2 hours to make and only uses up slightly more than a metre of fabric so it's a good way to quickly turn fabric from the stash into something wearable.