Burda of the month: 9/2013 #130 a.k.a the skirt that tried to break me

So I have finally finished the evil sewing mojo sapping skirt. Not my finest work, for sure, but this is one of those projects where the whole is more than the sum of it's parts, because the skirt was made purely to form a suit with the red blazer I made recently:

I never imagined myself wearing a red skirt suit, it always screamed 80s power suit stereotype to me, but after pinning quite a few lovely red outfits (such as this, this or this) I thought why not try it?

 

Plus I had some left over pieces of the red wool crepe I used to make the jacket recently that were just the right size to make a skirt. And since I needed to do a project from the September issue of Burda I decided to kill two birds with one stone and make the designer pattern - 9/2013 #130:

Just a simple, pegged skirt with a bit of interest at the back (let's not talk about that jacket though shall we?). I've made a similar style skirt a long time ago with great success from Vogue 7937 that with hindsight I should have stuck with and made something different from this issue of Burda!

So what went wrong? Well it started with me not reducing the skirt length by 5cm when I traced the pattern (a typical change I have to make for Burda patterns), which meant that those back splits were about 2cm long when I folded the hem up which looked quite silly not to mention not achieving the function of a walking vent. One of the suggestions at the ASG sewing day was just to instead make them splits rather than lapped vents, which is what I should have done because my next mistake was to use the very last bit of fabric to cut out new centre back panels with the jutting out bit for a mitred vent at the right length instead of the side back panels. This meant that the centre back piece now lays under the side pieces and looks a bit strange in my opinion because it's not how I've seen any vent made:

So I may just undo that again and make it into splits anyway! Then again no one will probably notice and I should just get over myself.

The other mistake I did was to over fit the skirt because the wool crepe has a bit of stretch to it and having it too tight really highlighted my pear shape in a very unflattering way, but that was easily fixed by letting out each of the seams a little bit. I also stitched in the ditch down those side seams to anchor the skirt to the lining because the lining seams kept showing through if it wasn't aligned perfectly. I think if I had underlined the skirt to give the lightweight wool fabric a bit more body it may have prevented the lining being so obvious underneath the fabric. Again live and learn.

Letting it out a little means the skirt is a little looser than the Burda model version:

but it's comfortable to walk in and I can sit in it without showing too much leg (this is a work skirt after all):

What's not shown in the line drawing is the deep hem - it is about 8cm deep which is a nice touch. I topstitched my hem since my thread matched the fabric almost perfectly and I wanted the deep hem to be a feature on the rather plain front. Overall the pattern is ok, nothing special, so if you want to make it go ahead but I for one shan't be tempting fate with this pattern again in case it tries to rob my sewing spirit again!

And did you all notice that polka dot top I'm wearing with it? Well that is a success story in it's own right - I salvaged it from another Burda of the month project and remade it into a wearable top that perfectly matches this suit. The cream with grey polka dot silk was far too nice to remain as this abomination I made in September last year (Burda 7/2012 #116):

Using a shell top pattern from Vogue 1826, an OOP Michael Kors pattern, which is a TNT of mine because I've made it quite a few times now (here and here) instead turned it into this with a bit of help from some left over pieces of the fabric (yay for holding onto scraps):

I used some buttons from the stash that happened to match perfectly as closure at the back seam rather than a zipper:

It's the perfect top to be worn under suits, and since I fully lined the silk fabric with a thin cotton shirting fabric it will be nice and cool to wear during summer and our so far very hot spring. Plus I've made a complete outfit so there's no risk of the red skirt or jacket becoming orphans and rarely worn - how very grown up of me!