Thank you to everyone who has left a comment on the last post - I really appreciate all the good advice. Who would have thought that we'd have so much to say about irons?!
I've got my Burda challenge off to a good start this year - not only have I made a project from the January issue in the actual month of January, but I really love how it has turned out and I used a long term stash resident. All round winner in my books. I made jacket 1/2016 #120 which has turned out like this:
It looks very different from the pattern in the magazine, mainly because Burda has made their version in a fake fur:
I've made mine in a thick textured cotton that originally came from my grandmother's stash so it could be many many decades old. But it's such a cheerful colour, and the fabric has a nice thick weight to it so I just knew it would be perfect for a boxy jacket like this.
Except, I don't do boxy very well. I couldn't help myself, I had to shape this jacket by taking in the side seams a little and adding two vertical darts to the back:
There is still a little too much fabric there in the back view, especially around the armscye, which if I had made a muslin version I would have resolved but of course I didn't make one so I'm just going to live with this:
The other change I made was to draft a neck and front facing from the lining pattern. The pattern suggests using a poplin fabric as the inner fabric and lining to the edge, which probably works ok when using a thick fabric like a fake fur. But I think a tailored jacket made with a jacket weight fabric looks better with self fabric facings because it prevents the lining peeking out and it sits better as well.
I was super short on both lining fabric and the outer fabric for this project. As you can see in the photo above, the sleeve lining is only half the sleeve purely because I didn't have enough yellow lining to make a full sleeve length and nor did I have any other light coloured lining fabric on hand for the sleeves. It's a bit slip shod, but it works and I've tacked it down to the seam allowance so it will stay in place.
I also just managed to eek out the sleeves of the outer fabric by placing the sleeve end on the selvedge of the fabric with no fabric to turn up for the hem. Originally I thought I would just make this a bracelet length sleeve, but it finishes as just the right spot on me so I've left it unhemmed. For the seam allowances of the sleeve I turned the raw edges under and slipstitched them down, so it's quite a neat finish. Again, it's a bit of a dodgy solution but it works!
The pattern calls for a snap to be placed there at the centre front of the jacket. This fabric was too thick to make a covered snap, and nor did I have any big enough in my stash but I did have a hook and bar salvaged from a RTW garment some time ago. This is one of those that instead of sewing on you just push the ends through the fabric and use some pliers to squeeze the ends closed. Except I squeezed a little too hard with my pliers and the bar got a little bent as you can see below! (Ignore the colour of this photo, the yellow turned out all shades wrong in this picture for some reason).
As you can see in the photos above, I used some canvas interfacing across the back and part fronts, as well as a lightweight whisper weft iron on interfacing at the top of the sleeve. The thickness of the fabric along with the interfacing has made a beautiful shoulder cap, with no collapsing at all which is a look that I absolutely hate. So happy with how this one turned out:
I've seen lots of collarless jackets with pointed front lapels in the stores recently, including the one below left in Trenery which originally retailed for $299, so I was very happy to see that Burda had included one in the January issue. The yellow colour came from an inspiration image I recently pinned from Table Eight - I'm quite glad that I finally used Pinterest for a real, actual use!
So overall, I love this jacket immensely. It's very simple to make and doesn't use a great deal of fabric - I eked it out of 1.2m fabric but I did have to cut a few corners to make it work. For the next version (and yes, there defintely will be one) I will work on that excess fabric at the back, possibly by putting in a centre back seam instead of the darts and reshaping the armscye. I would also narrow the sleeves somewhat as you can see in the photo above that they are quite wide. But apart from these minor fitting changes it is a great pattern that I can recommend if you're after something simple.
Good luck to all of you doing a Burda challenge this year or those thinking about doing one - there were quite a few good patterns in this issue that should make it easier to choose, including this gorgeous vintage dress, this cute draped jersey skirt and this interesting double layer top.
I've got my Burda challenge off to a good start this year - not only have I made a project from the January issue in the actual month of January, but I really love how it has turned out and I used a long term stash resident. All round winner in my books. I made jacket 1/2016 #120 which has turned out like this:
It looks very different from the pattern in the magazine, mainly because Burda has made their version in a fake fur:
image via Burda Style |
Except, I don't do boxy very well. I couldn't help myself, I had to shape this jacket by taking in the side seams a little and adding two vertical darts to the back:
There is still a little too much fabric there in the back view, especially around the armscye, which if I had made a muslin version I would have resolved but of course I didn't make one so I'm just going to live with this:
The other change I made was to draft a neck and front facing from the lining pattern. The pattern suggests using a poplin fabric as the inner fabric and lining to the edge, which probably works ok when using a thick fabric like a fake fur. But I think a tailored jacket made with a jacket weight fabric looks better with self fabric facings because it prevents the lining peeking out and it sits better as well.
I was super short on both lining fabric and the outer fabric for this project. As you can see in the photo above, the sleeve lining is only half the sleeve purely because I didn't have enough yellow lining to make a full sleeve length and nor did I have any other light coloured lining fabric on hand for the sleeves. It's a bit slip shod, but it works and I've tacked it down to the seam allowance so it will stay in place.
I also just managed to eek out the sleeves of the outer fabric by placing the sleeve end on the selvedge of the fabric with no fabric to turn up for the hem. Originally I thought I would just make this a bracelet length sleeve, but it finishes as just the right spot on me so I've left it unhemmed. For the seam allowances of the sleeve I turned the raw edges under and slipstitched them down, so it's quite a neat finish. Again, it's a bit of a dodgy solution but it works!
The pattern calls for a snap to be placed there at the centre front of the jacket. This fabric was too thick to make a covered snap, and nor did I have any big enough in my stash but I did have a hook and bar salvaged from a RTW garment some time ago. This is one of those that instead of sewing on you just push the ends through the fabric and use some pliers to squeeze the ends closed. Except I squeezed a little too hard with my pliers and the bar got a little bent as you can see below! (Ignore the colour of this photo, the yellow turned out all shades wrong in this picture for some reason).
I do like the discreet look of the hook and bar though - it's hardly visible at all when the jacket is worn open, and it looks very polished not having any visible stitches.
As you can see in the photos above, I used some canvas interfacing across the back and part fronts, as well as a lightweight whisper weft iron on interfacing at the top of the sleeve. The thickness of the fabric along with the interfacing has made a beautiful shoulder cap, with no collapsing at all which is a look that I absolutely hate. So happy with how this one turned out:
I've seen lots of collarless jackets with pointed front lapels in the stores recently, including the one below left in Trenery which originally retailed for $299, so I was very happy to see that Burda had included one in the January issue. The yellow colour came from an inspiration image I recently pinned from Table Eight - I'm quite glad that I finally used Pinterest for a real, actual use!
left: Trenery Jacket, right: Table Eight jacket |
So overall, I love this jacket immensely. It's very simple to make and doesn't use a great deal of fabric - I eked it out of 1.2m fabric but I did have to cut a few corners to make it work. For the next version (and yes, there defintely will be one) I will work on that excess fabric at the back, possibly by putting in a centre back seam instead of the darts and reshaping the armscye. I would also narrow the sleeves somewhat as you can see in the photo above that they are quite wide. But apart from these minor fitting changes it is a great pattern that I can recommend if you're after something simple.
Good luck to all of you doing a Burda challenge this year or those thinking about doing one - there were quite a few good patterns in this issue that should make it easier to choose, including this gorgeous vintage dress, this cute draped jersey skirt and this interesting double layer top.